Reasons to Stay Inside

… it’s a moment that won’t be bettered this Fringe.

David Zampatti, The West Australian, 2016

Reasons hero

Pedro used to run and skateboard and play soccer and go to school … Not anymore. Pedro stays inside now.

His best friend, Flora, thinks that’s boring and kind of freaky. But Pedro doesn’t care. He’s building a pillow fort (he would prefer you called it ‘The Death Star’) and it’s getting bigger and bigger every day. Every day it’s getting harder and harder for Flora to reach him.

Pedro has the best Reasons to Stay Inside, but Flora knows what he’s missing and she will do whatever it takes to get her best friend to come outside.

You can’t stay inside your fort forever, can you?

A show about that irritating best friends, dancing pegacorns, pillow forts and that weird anxious feeling.

For 8 to 108 year olds!

2015 Melbourne Fringe Festival and 2016 Perth Fringe World for The Blue Room Theatre, Summer Nights Program

Written by Katy Warner | Directed by Prue Clark | Starring Emma Annand and Oliver Coleman | Set and Costume Design by Yvette Turnbull | Sound Design by Lachlan Millsom | Lighting Design by Amelia Lever-Davidson | Stage Management by Luke Preer | Photography Hayden Bevis

(Production Images by James Breen, The Blue Room Theatre season 2016)

Awards

2015 Melbourne Fringe Awards – Winner – Best Kids Show

2015 Victorian Green Room Awards – Nominated – Director (Prue Clark)

2015 Victorian Green Room Awards – Winner – Lighting (Body of Work) (Amelia Lever-Davidson)

2016 Perth Fringe Arts Editor Award – Nominated

Reviews

Warner has personal experience of this kind of crippling anxiety, and this story is her way of throwing light on it. It’s to her very great credit that she never gets “grown-up” about it; “The Thing” never becomes agoraphobia or the other clinical conditions that Pedro may be suffering. The story remains a kids’ one, and salvation remains in their hands.

Emma Annand is simply terrific as Flora. She’s toothy, radiant and irrepressible, an Energizer Bunny, a little engine that can. Oliver Coleman handles his difficult task with lovely skill, frustrating when we see him through Flora’s eyes, but courageous when we see things, and The Thing, through his.

And when we hold up the little lights Annand gives us to show Pedro that it’s not really dark and scary outside, it’s a moment that won’t be bettered this Fringe.

David Zampatti, The West Australian, 2016

You don’t even need to have or borrow a kid to have a reason to see this creative, colourful, silly and thoughtful show, though if you do, you’ll be scoring some serious points with them. The kids in the audience loved every second of it, and, well, so did I.

Cicely Binford, Perth Arts Live, 2016

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