This is astonishing theatre. It knows the song the sirens sang was a lullaby.
Cameron Woodhead, The Age, 2010
Ed McCallister is a happily married man who is neither happy nor married. When overlooked for a promotion at work he returns home to find a woman, possibly his wife, setting up an elaborate suicide machine … all he wanted was someone to remember his birthday.
These are the isolate is an unsettling, darkly humorous and tragic tale of the destruction of isolation.
2010 Melbourne Fringe Festival Presented by Mutation Theatre / Written by Katy Warner / Performed by Katy Warner & Tim Wotherspoon / Outside Eye and Mentor Matt Scholten / Produced by Patrick McCarthy
2011 Theatre Works Presented by Theatre Works and Mutation Theatre / Written by Katy Warner / Directed by Marcel Dorney / Performed by Katy Warner & Tim Wotherspoon / Lighting Design by Katie Sfetkidis / Lighting Operation by Kris Chainey / Produced by Patrick McCarthy and James Tresise
2010 Melbourne Fringe Award – Winner – Best New Writer
2010 Melbourne Fringe Award – Winner – Theatre Works Award
2011 Victorian Green Room Awards – Nominated – Lighting Design (Katie Sfetkidis)
The writing is seriously promising, witty, concrete and detailed … there’s no doubting the promise it reveals, especially in the bold poetic of its theatrical attack. – Alison Croggon, Theatre Notes, 2011
… it’s been my biggest surprise of the festival so far … It really is one helluva piece of work. I won’t write much about it now since much of what makes it worth seeing is the experience of discovering it for yourself. The writing is outstanding, with a kind of Schroedinger’s Cat quality – you know the experiment where a cat in a box is both alive and dead at the same time until the moment the box is opened and uncertainty is reduced to reality? There are elements of uncertainty at play here, but unlike your standard narrative mystery which involves the withholding of vital facts, this one presents incommensurate realities simultaneously so the mind is forced to switch back and forth between possibilities that can’t be reconciled. It’s a bit like those pictures that are both a lamp and a pair of faces but the brain can’t register both at once. – John Bailey, A Capital Idea, 2010
4 1/2 Stars. Katy Warner’s play is full of rapid-fire word games — a compelling construction of a fractured interior nourished by Beckett. Albee might be another spoke in its wheel. I kept imagining Who’s Afraid Of Virginia Woolf? where both Martha and the absent child are phantoms … this is astonishing theatre. It knows the song the sirens sang was a lullaby. – Cameron Woodhead, The Age, 2010